Before we get into the reviews though, I wanted to note that I mentioned last time that I doubted if many movies on the list actually passed the Bechdel test, which is set up as a bare minimum barometer for women's stories being included. Turns out that someone actually already did the research and calculations, and only 32 movies on the list pass. That's not just a failing grade, that's an abysmally failing grade. This is an important thing to note as I go into reviews because the further I wade into this list, the more I am noticing this huge problem. Women's stories are completely devalued by whomever chose these AFI's Top 100 movies. Unfortunately, that is what it is and here I go into reviews...
The Graduate
This is one of those movies that I did kind of want to watch anyway, especially because it seems to be referenced all the time and is considered a classic. Before watching it for this little project, I read the book it's based on, in large part because I am also very slowly working on reading the books on the 1001 Books to Read Before You Die list. Overall, this movie is a pretty faithful adaptation of the book, but when the source material isn’t great, neither is the screen adaptation.
The story itself is pretty slim -- a young man graduates from college, returns home, and starts an affair with the wife of his father's business partner. It's not exactly earth-shattering nor that compelling. The movie cuts more to the point than the book (i.e., doesn't belabor things) and can be more humorous as a result. There are definitely odd camera choices though, such as an antenna crossing across someone's face, or the backs of people's heads zoomed in on too closely during the party scene. There's a decent soundtrack of Simon & Garfunkel songs, but they didn't seem to fit the scenes they were used in.
In terms of casting, I usually think you can't go wrong with Dustin Hoffman, but he was just okay here. It's definitely not his best performance but, to be fair, he was pretty young. However, he was about 30 playing a character who is in his early 20s (just graduated from college so most likely 21 or 22), and it struck me right away that he was too old to be playing that character. Meanwhile, Anne Bancroft is absolutely perfect in the role of the Mrs. Robinson; she steals every scene that she's in. Katherine Ross as Elaine Robinson was well cast as she looks like she could actually be Anne Bancroft's daughter. This Vanity Fair article provides some background into the casting process for The Graduate, and it's clear that they really did choose some of the best possible actors for the roles as the other names floated don't seem right for those characters.
Nevertheless, this really wasn't a great movie in my opinion. I can’t believe this was in the top 10 of the AFI's Top 100 list; it was okay but wasn’t anywhere near that good. Watching it for the cultural touchstone makes sense, but it could have been way further down the list.
Annie Hall
(released 1977, #31 of 100)
This movie features two of my least favorite actors (Diane Keaton and Woody Allen) playing two terrible characters in what is essentially a romantic comedy -- typically not my genre of choice. In some ways, the characters remind me of Seinfeld characters in their inability to see how awful they are and always thinking other people are the problem. The movie even starts off with Alvy wondering what went wrong in his relationship with Annie when clearly he was awful pretty much 100 percent of the time. For, despite the title of the movie, it’s really Alvy’s story. Yet another male-centric story on AFI's Top 100 list. Sigh.
There are a lots of jokes in this film that really didn't age well given Woody Allen's history. For instance, Alvy and co. make "jokes" about his grandmother being raped, his friend having sex with 16-year-old twins, politicians having ethics comparable to child molesters, and his own sexual curiosity beginning at age 6. That all aside, in general, there's just way too much about Alvy's whiny need to have more and more sex while also having a variety of neuroses about sex. In addition, this movie has Alvy's friend defining VPL for the world to know, and of course it's some doofus of a guy who made that popular. Eye roll.
Honestly, many of his non-sex jokes weren't all that funny either. The situational humor is better at times, but this movie gets old kind of fast and most of the last half an hour in particular was dull. However, this film is definitely fun and interesting for having moments of breaking the fourth wall, inclusion of supertitles over the character's heads to show what they’re really thinking, out of order storytelling, split screen effects, etc. There is no soundtrack to the opening or closing credits, which was unusual (but not necessarily good or bad). This playing around with the cinematic art form is cool and the only thing that really makes the movie worth watching.
Rebel Without a Cause
(released 1955, #59 of 100)
This is another one I was interested in seeing anyway because it seems culturally relevant; it is certainly referenced in many other pieces of pop culture. However, 15 minutes into the movie, I was already bored; there is just way too much whiny, teary teenage angst packed into those 15 minutes.
Many moments in this movie were filled with overly dramatic music to make things even more unnecessarily emotional. I'm at a point in my life where I just don't care about high school drama/stupidity, and immediately agreed with the father in the film who tries to tell Jim that he'll look back on this some day and realize it wasn't actually a big deal (until of course it escalates because Jim doesn't listen to his dad). This movie had the added non-interest for me of having a lot of machismo stunts. Bleh. So senseless.
James Dean and Sal Mineo are both good but the rest of the cast, especially the teenagers, just seem to be running through the motions. All of these actors look older than teenagers as well, which I guess is often the case but it doesn't mean I won't comment on that unfavorably. I don’t know what Natalie Wood is attempting to do in this film, but her facial expressions often seem completely off for whatever moment is happening. Although perhaps that was also due to the writing, wherein they have her running around essentially playing house at the mansion and smiling/laughing the night her boyfriend tragically died. The only character of color is a Mamie type character; it might have been less problematic to just have an all-white cast. It was the mid-50s though, so I give this movie a little bit of a pass as a result.
On the plus side, there are some interesting camera angles in scenes like the opening credits, Jim fighting with his parents after the car accident, or the climax at the observatory steps. There are also pretty landscapes in back of the high school and other places about town (mountain, cliffs, etc.). However, a handful of bucolic shots is not enough to salvage this rather disappointing movie.
***
So this grouping was all pretty discouraging, but there's still plenty more movies ahead!
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