Showing posts with label physical comedy. Show all posts
Showing posts with label physical comedy. Show all posts

Sunday, February 5, 2017

Come On, Get Happy

As I've lamented before on this blog many a time, winter is my least favorite season of all. It is looong, cold, dreary, and dark. It makes me wish I was a bear who could hibernate these months away and emerge well rested for spring. But since that's just a fantasy that won't happen, I've been trying to dispel my winter blues with fun and light-hearted movies -- not my usual fare but perfect for lifting my spirits, even if just temporarily. And as I've been away from this blog for a while, I thought I would try a quick summation of those movies in this one post. (It may get a little long though...)

To try to improve my mood, I watched these three movies in recent weeks: The Answer ManZootopia, and The Peanuts Movie. Two kids' movies and a romantic comedy -- this is how I roll in the winter, people.

The Answer Man

This is a romantic comedy from 2009 about a hermetic best-selling author and a single mom with a recently opened small business who meet almost by happenstance and decide to start dating. Literally, the entire rationale behind me watching this movie was "Lauren Graham is in it." The description sounded okay, and I was willing to give it a try, but I was not expecting much. With that attitude going in, I was surprisingly pleased. Sure, the romance part was pretty flat, but the acting was superb, the comedy was good, and it was really more of a story about the author becoming a more social and caring human being than it was a purely romantic comedy. I'll address each of those points a little more fully below.

Jeff Daniels as author Arlen Faber was comedy gold in a multi-faceted role. Faber is a character who is struggling with a number of things -- physical pain from a bad back, a crisis of faith, a desire to be left alone by the people who want to adulate him for his best-selling religious books, and coming to terms with being needed by others and finding himself wanting to be around other people as part of their lives. Lauren Graham was predictably wonderful, presenting her usual mixture of fun-loving comedy turning to fierce drama at a moment's notice. As she herself once noted, she does seem to be typecast into the single mom role, and there were a few moments in the opening of the movie that felt like the movie was trying to give us Lorelei Gilmore with a young son instead of teenaged daughter. But then the character of Elizabeth comes into her own, and we see her more as a dedicated chiropractor, determined to help patients and see her small clinic succeed, and as a friend/love interest to Arlen.  Lou Taylor Pucci as recovering drug addict and struggling independent bookstore owner played perfectly whether in humorous or serious scenes, in either case serving to further stretch Faber's growth and development. Smaller roles were well acted and rounded out the cast of quirky characters.

As I've probably mentioned in the past, I'm not the hugest comedy fan - especially sitcoms or romantic comedies, which tend to feel very predictable and, as a consequence, dull. But that being said, I found myself laughing quite a bit with this movie. A lot of that came from Faber's unexpectedly foul-mouthed or flippant sayings, but some of it was physical and situational humor as well (like Elizabeth trying to promote her business by having her assistant dress up as a giant spine outside their office or Faber being pulled unexpectedly into a parent-teacher conference for Elizabeth's son). There's also a bit of the "awkward first date (or three)" conversational humor, which is a somewhat stereotypical romantic comedy move, but that's usually the best part of any rom-com in my opinion. 

And, finally, I enjoyed this movie more than the standard fare romantic comedy because it was much more than just that. The movie addressed Arlen's need to get outside of himself and his worries to connect with other people and care about them. Sure, that included a potential romantic partner, but it also included her son and people in the community like Kris the bookseller. Faber doesn't completely change his personality or attitude but he does become more willing to embrace other people and help them on their course through life, in turn helping himself to be more compassionate. That may sound overly sentimental, but the movie manages to stay *just* above the rim of being truly sappy. 

Like I said at the beginning of this movie review, I was surprisingly amused and entertained by this movie. And I'm surprised to find myself recommending it as well if you want something on the cheery side for your next movie pick.

Zootopia

A good number of the little kids (and grown adults for that matter) in my life had already seen this movie when it came out in theaters and loved it. I figured I'd get around to it eventually, which turned out to be a day I was still in a down mood. Zootopia tells the story of Judy Hopps, a bunny from a small rural community who can't wait to become a police officer in the big city of Zootopia, despite the nay-saying she hears from literally everyone, ranging from the local bully to her own parents. She persists in her goals anyhow, passing all the hurdles to becoming a police officer and arriving in Zootopia to learn about an ongoing missing animals case, to which she is not assigned because, again, no one believes a small rabbit can accomplish much. But through a series of unexpected circumstances, she ends up partnering with Nick, a con-man (or con-fox, as the case is) to uncover a much bigger conspiracy that anyone expected.

As you might expect from a children's animated movie, there is all kinds of humor in Zootopia, ranging from very obvious slapstick bits for kids to references clearly meant for adults. My favorite two scenes that had me laughing out loud involved a DMV office run entirely by the slowest moving sloths and an introduction to the criminal boss, "Mr. Big," who mimicked several Godfather lines. The movie definitely hit the spot in improving my bad mood, even if it didn't succeed in doing so for a terribly long time. 

But Zootopia also succeeds in presenting a number of important issues to children in a digestible form without being overly didactic. There is soooo much about not judging people by their outside appearance but instead by their personal qualities, like commitment to righting wrongs and perseverance in the face of internal and external doubts. Yes, there are times when some of this lesson is a bit heavy handed, but it's never a "hit you over the head" morality tale. 

Like we've all come to expect with a Disney movie, this one features a lot of talented actors lending their voices to various characters, including Ginnifer Goodwin as Judy, Jason Bateman as Nick, Idris Elba as the police chief, Shakira as the pop star Gazelle (giving the film its catchy theme song), and many many more. As we've all come to expect with an animated film from Disney, the success of Zootopia has inevitably led to there being talks of a possible sequel, one which ::eye roll:: many hope will lead to Judy and Nick getting together as a romantic couple. Let's just hope that any follow-up movie is of as high a caliber as this first one was. 

The Peanuts Movie

Last, and let's admit it, least, I watched the new reincarnation of Charles Schulz's characters that is The Peanuts Movie. As a bit of background, I've never been the hugest Peanuts fan, though I do generally find some of the older short movies both funny and fun to have on around the appropriate holidays. This movie, written by Schulz's son and grandson, stays true to the original characters in interesting ways, but it is sometimes perhaps a little too true to them. Bear with me as I explain.

The Peanuts Movie is largely centered around Charlie Brown's crush on the new girl at school (known simply as The Little Red-Haired Girl) and his myriad attempts to do something great to get her to notice and like him. But because it's Charlie Brown, these attempts inevitably do not turn out as planned. Throughout his many endeavors, Charlie Brown's myriad friends, including his sister Sally and his loyal dog Snoopy, strive to help him out. At the end of the school year, when Charlie Brown finally manages to just talk directly to The Little Red-Haired Girl, she says that she admires all the good qualities he demonstrated when things went wrong, including his selflessness in advancing others before himself. 

Among many of the nods to the original comics include Lucy pulling the football away from Charlie Brown at the last moment, the kite-eating tree, Marcie inexplicably calling Patty "sir," the muffled voices of all adults (voiced here in a stroke of genius by Trombone Shorty), and Snoopy's dreams of being an ace war pilot battling the Red Baron for the skies. This last one has always been a bit of an odd one in my opinion, and some parts of the movie involving these scenes went on a little too long for my liking. There's also a love interest for Snoopy here, mirroring Charlie Brown's story back in the real life part of the movie. 

Also true to the original Peanuts were the many bizarrely romantic relationships seen among schoolchildren. Perhaps because Charlie's crush is the focus on this movie, I started noticing these relationships more than I usually do. Almost all of them involve girls who nag and borderline bully boys into liking them back (e.g., Lucy and Schroeder, Sally and Linus, Peppermint Patty and Charlie Brown). Meanwhile, Charlie Brown's entire basis for liking The Little Red-Haired Girl is that she's "pretty" and she chews on her pencil like he does. He never even learns her name. She is literally "The Little Red-Haired Girl" from beginning to end of the movie. The weird relationship dynamics were kind of unsettling as an adult, and it makes me wonder what kind of message is being sent to kids when they watch this movie. I understand that attempts were being made for continuity between the past Peanuts and the present, but some of this was just a bit too much. It could be left in the past.

It was interesting for me though when I went searching for the origins of the "sir" moniker for Peppermint Patty that I found this article explaining how this character was Charles Schulz's response to second-wave feminism. He chose to make a character that defied the stereotypical feminine traits, instead opting to make Patty a fan of sports who doesn't wear skirts. So that was nice to learn; I just wish that the new creators might have found some ways to bring the female characters of The Peanuts Movie past the 1960s. 

That all being said, there were pretty funny parts to this movie as well as some charming ones. Particularly hilarious to me was Charlie Brown's quest to write the perfect book report to impress The Little Red-Haired Girl, which ends up involving a mistaken search for the book "Leo's Toy Store" by Warren Peace. There was also plenty of slapstick and physical comedy to entertain those who really enjoy that kind of comedy, like the small children who are the target audience for this movie. I really did love the ending in which The Little Red-Haired Girl pointed out all the times Charlie Brown stood up and did the right thing, even if it didn't seem beneficial to him at the time. That was definitely a high note in this movie, teaching children important lessons about how being a good person is about helping others, not just promoting yourself and your achievements.

The animation style is different from the original Peanuts films, given the many changes in technology since then. I guess it could be off-putting for some, but I didn't mind it much after a few minutes of getting used to it. The look and feel of the characters was the same, even down to Lucy being a horrible bully, which I wish was addressed more. All in all, I found this movie an amusing diversion, especially for adults who grew up loving these characters. But I would be hesitant to share it with small children without discussing the problematic parts later.

Well, those are my two cents (and perhaps a little more) on these movies. Have you seen them and have any thoughts? What do you do to keep the winter blues at bay?

Sunday, January 27, 2013

Good clean fun with Sherlock Jr.

Many of you may not know this as my entertainment choices have mostly lay elsewhere during the past year or so that I've been writing this blog, but I LOVE old movies. Not crappy 80s movies or trippy 70s movies, but mainly golden era 1940s-1950s movies, with a little crossover into the early 60s or late 30s. Too far into the 60s and things get too "groovy" while too early in the 30s and the production values are horrific, so I generally avoid these. One major exception to these general rules though is anything by Buster Keaton.

I hope I don't have to school anyone on the screen icon Buster Keaton, but just in case here's the basics about him: Buster Keaton was a film actor ala Charlie Chaplin, full of slapstick physical comedy in silent movies (although he did appear in some talkies later in his career, notably Sunset Boulevard and In the Good Old Summertime). Although he didn't have the typical "leading man" qualities of being stunningly handsome and dashing, Keaton always landed a starring role, often in film endeavors in which he also wrote and/or directed. While it's inevitable that he will be compared to Charlie Chaplin (just as I did above), when it comes to physical comedy, Buster Keaton has my vote as the absolute best, bar none. (When we look at their later films outside the silent era, however, Chaplin's dark humor absolutely steals the show for me. Seriously. Go watch Limelight, Monsieur Verdoux, and/or The Great Dictator and then tell me Chaplin wasn't a genius.) What astounds me about Keaton's physical comedy isn't just how purely good it is, but the risks he took to get a laugh. Potential - and actual - injury to himself didn't stop Keaton from any gag that would entertain. And did I mention just how good his comedy is? I'm not usually a fan of the slapstick - I generally find it puerile and often crass. And, some comedic actors will beat a dead horse, with a particular running gag continuing on for so long that it ceases to be funny. But Keaton had perfect timing and acts of physicality that could not help but produce a laugh. His The Cameraman is one of the funniest films I have ever seen, and the public pool scene is perhaps the most hilarious example of physical comedy out there, although Keaton and a monkey filming a shootout in Chinatown together in that same movie is a close contender. And while the physical comedy and slapstick routines are the hallmarks of any Buster Keaton movie from the 1920s, his films don't forget about storytelling and provide a sustainable and interesting storyline (usually a romantic plot), which is no small feat for a silent movie.


What I'm trying to say with that very long introduction is that today I had the pleasure of watching a new-to-me Buster Keaton movie called Sherlock Jr. Like many a Buster Keaton film, it stars him as a down-on-his-luck, sort of clueless but incredibly kind man who is head over heels in love with a pretty young woman who another more polished man tries to woo. In Sherlock Jr., Keaton's nameless protagonist wants to become a detective but currently works as a projectionist in a movie theater. When he falls asleep there one day while a movie plays in the background, he dreams himself into the movie. The movie-within-the-movie is called Hearts and Pearls and involves a woman's pearl necklace being stolen by a pair of thieves, one of whom is pretending to court her. Keaton's character arrives on the scene as famed criminologist Sherlock Jr. whose trusty sidekick is a fellow named Gillette. Sherlock Jr. and Gillette elude the criminals' attacks and manage to save the pearls and the girl by the end of the film-within-the-film. Of course, this being a Buster Keaton movie, all of this happens with numerous ridiculous - but funny - gags along the way, including a cross-dressing Keaton, a driver-less motorcycle, and a booby-trapped house.

Meanwhile, in the real world, Keaton's character is barely scrapping together enough money to present gifts for his girlfriend and is eventually accused of a theft he didn't commit. The initial evidence is against him, but his intrepid girlfriend figuratively takes a page out of his detective's handbook and tracks down additional evidence to clear his name. And, of course, this second plot includes some running jokes involving a sticky newspaper, a slippery banana peel, and one lost dollar that several people try to claim, to name a few.

All in all, Sherlock Jr. has so many different jokes and comedic situations that it's bound to hit the mark with the audience at least some of the time. There were a few gags, like the sticky newspaper, that fell a little flat for me, but mostly I was thoroughly entertained by this movie. It didn't reach The Cameraman heights of ridiculously hysterical, laugh-out-loud funny, but it was more than capable of producing plenty of laughs.

The movie is also notable for its use of special effects. As per usual with Buster Keaton, many of the gags ran the risk of physical injury and apparently Keaton actually broke his neck in the production of this film during one of his physical comedy routines. Some other scenes also left me feeling a bit squirmy, worried about the actor's safety. (However, the fact that this actor is long dead and that I knew he survived the silent film era allowed me to enjoy the physical comedy rather than be made too uncomfortable.) But even more notable to me were the scenes involving Keaton's movie-within-the-movie. This sequence starts off with us seeing Keaton's character asleep in the projectionist's booth and then we watch his dream self rise up out of his body, put on his hat, and head out the door. Did I mention this movie came out in 1924?! I had no idea the kind of technology needed for such a scene was available. (C'mon, they couldn't figure out how to add sound to movies yet.) After this amazing feat, we watch his character travel down the movie theater aisle and up on to the stage before walking into the screen itself. Again, this in in 1924. Keaton, who directed this movie as well as starred in it, was apparently not only a comedic genius but also incredibly talented at making movie magic.

I'm not sure if I've emphasized enough yet that this movie was made in 1924. ;) While the humor certainly transcends the time period, there were so many elements that made this movie feel almost stereotypically old-timey. The movie-within-the-movie's female lead has flapper fashion chic, the men's everyday wear includes cravats and spats, steam engine locomotives seem almost ubiquitous in the background, and Tin Lizzies rattle by on the streets. At one point there's even gangsters standing on the car's sideboards, hanging on to the "speeding" car while trying to shoot down the protagonist ahead of them, in what feels like a classic old-fashioned movie scene.

All in all, Sherlock Jr. is a great movie for good clean humor, a sweet romantic story, old-timey fun, and mind-boggling special effects given the time period. And all this is just under 45 minutes. Did I mention that Buster Keaton was a genius?