Showing posts with label CIA. Show all posts
Showing posts with label CIA. Show all posts

Monday, November 5, 2012

An Action-Packed Angelina Day

A while back, a friend and I decided to do a comic book themed movie night, and among the movies on the table that night were Wanted and Salt. (Yes, I know this latter one isn’t actually based on a comic book, but it felt in line enough with the other movies we’d selected to seem appropriate, plus it helped even out the balance of male protagonists versus female protagonists just a little bit.) We didn’t have time for these two movies (and I suspect my friend, being not much of a fan of Angelina Jolie, did not have them high on her list) but with my cable and Internet out for a couple of days due to Hurricane Sandy, I decided to finally watch these two DVDs. The basic plot of each, along with my thoughts on the movie, is below.

Wanted

Basic plot: Wesley Gibbons (James McAvoy) hates his life: his low-level job with a terrible supervisor, his dwindling bank account, his cheating girlfriend, and his best friend who is party to this affair all leave him feeling used and useless. But this all changes when a routine trip to the pharmacy ends up becoming a gun fight between a Cross (Thomas Kretschmann), a man trying to kill him and Fox (Angelina Jolie), a woman trying to save him. After a narrow escape, Fox takes Wesley to meet Sloan (Morgan Freeman) who explains the situation: Wesley is the son of an assassin for an organization known as the Fraternity. Wesley’s father has in turn been assassinated when Cross left the Fraternity and went rogue. Now it is up to Wesley to train to become a world-class assassin as well and revenge his father’s death by going after Cross.

There was just way too much violence, obscenity, and sexuality in this movie for me. As I’ve probably mentioned before, I’m not a prude but I want a story and/or fleshed-out characterizations, not just gratuitous examples of the above. There’s a twist near the end of Wanted that makes the plot a bit more interesting but it’s kind of a case of too little too late. Like many action movies, there’s a lot of ridiculousness in terms of completely unbelievable scenarios – i.e., the hero of the film can single-handedly take out a room fill of armed enemies without getting a scratch, or the hero is shot multiple times but miraculously heals within hours to fight back again. This movie ups the ante but defying gravity with bullets that shoot out of guns on a curved angle instead of straight and cars that flip over gracefully without missing a beat or harming a single passenger. It also features Jolie’s character in heels and a dress in the first fight scene, which is such a you-got-to-be-kidding-me moment (but sadly not that unusual for many action flicks). Later, she’s more appropriately dressed for the most part although she’s still sometimes seen roaming around in cutoff tees.

There’s very little in terms of characterizations to make any character feel realistic in any sense. Fox is given a bit of a back story that helps explains her and her motivations, but nearly everyone else has no history. Indeed, many members of the Fraternity remain completely nameless while others are simply known by code names such as “The Repairman” and “The Gunsmith.” Even though he is the main character, Wesley does not have much in terms of a full range of characterization either. His motivations to join the Fraternity are pretty slim: He’s unhappy with his current life of being metaphorically kicked around and punched in the face so he goes into a new life of literally being kicked around and punched in the face??? Clearly, that’s a very logical step in the right direction. Wesley’s motivation largely comes from this fixation of becoming like his father and a belief that living in his father’s footsteps is his destiny. This is despite the fact that his father abandoned Wesley when he was just an infant, which wouldn’t seem endear a lot of familial pride for many.

The mystery here is how such talented actors as Angelina Jolie, James McAvoy, and Morgan Freeman were all convinced to make such a shoddy movie. I give props to the film’s creators for being able to snag such a great cast, finding a suitable soundtrack, and using some impressive visual effects. But sadly those ingredients alone aren’t enough to make a good movie. Still, I suppose the movie’s creators must have been doing something right for they obviously made enough profit that they are considering making a Wanted 2.

Salt

Basic plot: Evelyn Salt (Angelina Jolie) is a CIA operative having just another day at work when she goes in to interview a man who claims to be a Russian defector. He tells her a story about a plot for a Russian double agent to assassinate the Russian president while he is on U.S. soil, thus creating conflict between the United States and Russia. He then names the Russian double agent: Evelyn Salt. Salt finds herself being held for questioning, worried about her own future as well as the safety as her husband. She escapes custody and while on the lam engages in a series of events that leaves the audience questioning whether she really is a double agent and where her allegiances lie.

Compared to Wanted, this was a much better movie. There’s still a lot of violence and more action (versus plot) than I generally care for, but there was enough of a story and a mystery (along with characterization, motivation, etc.) to keep it interesting. While it’s not as stylized and heavy on effects as Wanted, the cinematography and visuals are still well done and even at times quite lovely. Like Wanted, it has a good soundtrack that appropriately fits the movie. And, it’s less of a mystery why Jolie took this part, as it allows her to really show off her acting chops. The other actors – particularly Liev Schreiber and Chiwetel Ejiofor as Salt’s CIA co-workers – all do excellent work as well.

One thing I had found interesting about this movie from the outset is that the role of Salt was originally written for Tom Cruise, who was unavailable for filming, thus opening up the role for Jolie instead. So, long before I watched this movie I had been interested to see how a role created for a man became one for a woman and whether this would get us any closer to gender equality in Hollywood representations. For starters, I can say that this movie features a lot less of the running around in tight dresses and heels like other action films with female leads tend to do. Unlike other action films starring Jolie (i.e., Wanted, Lara Croft: Tomb Raider), the obligatory scene of her character coming out the shower was also not present in this movie, providing a breath of fresh air. All in all, there’s nothing about Salt’s character that makes her feel like a stereotypically overly feminine character - or like a character everyone has to point out is atypically tough “for a woman.” Instead, she is just a character that poses a threat for various concerned groups while they are doing their best to try and stay one step ahead of her. This is a movie I would recommend if you are interested in strong female leads, action movies with actual plots and characterizations, and/or a good mystery to try and crack.

Saturday, December 10, 2011

Movies for the Armchair Adventurer


After a friend and I had a themed movie night a while back, we decide it would be good to try another themed movie weekend. This time my friend thought up the theme of movies based on comic books/graphic novels. Once again, we had a long list of possibilities and only made it through a handful of these. Below is the list as well as descriptions/thoughts on the ones we did watch, which are indicated with an asterisk.

(Note: this is by no means an inclusive list of all the movies made based on comic books, just some of the ones we were more interested in seeing.)

Batman (1989)
Batman Begins
Batman Returns
Captain America: The First Avenger
Dick Tracy
The Dark Knight
Hanna*^
The Incredibles*
Iron Man 1 & 2
Persepolis
RED*
Salt^
Scott Pilgrim vs. the World*
Sin City*
The Spirit
Superman Returns
Tales of the Black Freighter
Teenage Ninja Mutant Turtles
V for Vendetta
Wanted
Watchmen
X2
X-Men: First Class*

^Okay, you got me, these two aren’t actually based on comic books, but they are action/adventure/sci-fi/practically superheroes so I felt I could add them to the list. Plus they helped to make up for the dearth of female leads in many of the other movies.

RED

Basic plot: When assassins come after retired CIA agent Frank Moses (Bruce Willis), he’s determined to figure out why he’s suddenly on someone’s hit list. He culls resources from some fellow retiree spies (played by Morgan Freeman, John Malkovich, and Helen Mirren) to get to the bottom of this mystery. Along for the ride is Frank’s brand-new love interest, Sarah (Mary Louise Parker), who has no idea what she’s gotten herself into by befriending the lonely Moses.

Think of just about any Bruce Willis action flick you’ve ever seen and you’ve got down about half the make-up of RED (which incidentally stands for “retired and extremely dangerous”). Bruce Willis is the biggest baddest guy in town with unlimited supplies of ammo, who always manages to stay pretty much unscathed despite an hour and half worth of brutal encounters versus sundry assailants. Fortunately, the other half of the make-up of RED is comic one-liners and scenarios, most often at the hands of Helen Mirren and Mary Louise Parker. They definitely made the movie sparkle, in my opinion. John Malkovich’s paranoid character with his conspiracy theories was also fairly amusing at times. Overall, this is an entertaining escapist film, but don’t expect much more from it than that.

X-Men: First Class

Basic plot: Newly minted professor Charles Xavier (James McAvoy) is sought out by the CIA for his knowledge of genetic mutations and begins using his ability to read minds to become a recruiter of other mutants, including his “sister” Raven (Jennifer Lawrence) and Erik Lehnsherr, later known as Magneto (Michael Fassbender). The CIA needs this class of mutants to help defeat the nefarious Sebastian Shaw (Kevin Bacon) and his gang of mutants before they cause World War III.

The X-Men franchise (both the books and movies) are interesting to me, but I’m not hardcore about them. I’ve read a couple of books here and there, and I’ve partially seen some of the prior movies, but I’m certainly no expert on the X-Men universe. There were probably tons of inside references that went over my head in watching this movie. But, I found enjoyable all the same. X-Men: First Class, while having an adventure of its own, is basically an origins movie about how these characters came to be who they are.

Most interesting to me in that respect was the back story for Magneto, who we see first as a child and then later as a comrade of Professor X although the two will later become enemies as anyone with some knowledge of the X-Men universe knows. Michael Fassbender, who is increasingly becoming an actor on my radar for his impressive talent, does an excellent job bringing this character to life. James McAvoy as Professor X is also top-notch, as I was predicting based on his past performances. Everyone else involved in the production play their roles well, but these two particularly stand out above the rest.

I’m always pleased by the X-Men franchise’s themes of evolution and what it means to be human, and this movie was no exception. There was one montage section on the mutants’ training where I didn’t like how the director chose to do sliding boxes of quickly changing scenes, but otherwise this movie was well done all around.

The Incredibles

Basic plot: After some unfortunate events, superheroes are banned from their vigilante work and must make their secret identities their only identities. Some have a harder time than others accepting this, including Mr. Incredible who toils away at an insurance firm while he, his wife, and their three children do their best to hide their secret powers from the world. So when an opportunity arises for Mr. Incredible to use his powers in a clandestine operation, he is more than happy to agree. Little does he know he’s just played himself into an old enemy’s hands and it will take all his powers – and all of his family’s super powers – to survive this latest adventure.

Because it was so late in the evening by the time we started this one, we both ended up falling asleep fairly early on. But I’ve seen this movie numerous times before, and I love it. It has the charm of other Disney-Pixar movies like Toy Story and Monsters, Inc., combining adventure, touching moments, kids’ humor, and the occasional adult audience-intended joke. In fact, this is probably one of my favorite Disney-Pixar movies, making it among the cream of the crop. (For the record, it ties with Monsters, Inc., another movie that I just love beyond words.) There are so many wonderful scenes like Helen’s visit to costume designer Edna Mode, when the Incredible family teams up for the first time on the island, or how Jack Jack’s powers become apparent. I could go on, but it’s better if you just watch the movie yourself. :)

And, yes, I realize this one isn't really based on a comic book either, but the superhero theme clearly fits and the movie ended up spawning a comic book series later, so that's good enough for me!

Hanna

Basic plot: In the wilderness of Finland, former CIA asset Erik Heller (Eric Bana) strictly trains his daughter Hanna (Saoirse Ronan) to become an assassin bent on destroying Heller’s former handler Marissa Wiegler (Cate Blanchett). When the time comes for this mission, however, things don’t go quite as planned and Hanna is left crossing countries on her own in an attempt to stay one step ahead of those trying to kill her.

This movie features three excellent actors who all brought their A game to the production. It’s a visually appealing movie, with some very interesting camera work as well as some beautiful scenic places as part of the setting. There are parts when the movie seems a bit slow for an action movie, but when the action does come it is hardcore, including thumping music (provided by The Chemical Brothers) and some funky lighting. (For the latter, you might just have to see it to know what I mean.) While it’s an overall dark movie, there’s some funny moments when Hanna goes out into the world for the first time and is baffled by things like electricity. This is further compounded when she spends some time with a vacationing family, who has some quirks of their own. (The delightful Olivia Williams plays the mother with some unique ideas.)

Beyond its action aspects, the movie also has some science fiction elements. These introduce deeper questions to be explored, although the movie does not do much to tackle this exploration itself. I also enjoyed the visual symbolism (even if it was a bit heavy-handed), such as the prominent ads for glasses and graffiti about CCTV at a time when Erik is being watched and closed in on, Marissa coming out of the big bad wolf’s mouth at the Grimm’s fairy tales amusement park, etc. Without going into any spoilers, I wasn’t thrilled with the very end of the movie, but overall I thought this was a well-done film.

Sin City

Basic plot: Based on some of the Frank Miller’s comics of the same name, this movie contains three distinct plots dealing with the criminal underbelly of Basin City. The first follows the story from The Hard Goodbye where former criminal Marv (Mickey Rourke) loses it after his one-night stand lover Goldie (Jaime King) is murdered while lying next to him and he goes on a spree to find her killer. Meanwhile, with The Big Fat Kill as a basis, Dwight (Clive Owen) and the prostitutes of Old Town have to fend off corrupt cops and the mob from trying to take over. Based on That Yellow Bastard, the final story revolves around honest cop Hartigan (Bruce Willis) and his attempts to keep safe young Nancy Callahan (Jessica Alba) from the Roark family and their twisted pastimes. (Inexplicably, this last storyline is broken up so that it bookends the movie while the other two are played out one after the other.)

When this movie first came out (which was long before I read the books), I was interested in seeing it based on the cinematography and its stellar cast. For the former, the movie retains some of its comic book feel and is filmed in black and white with spot coloring of red and yellow. For the latter, not only does it include the people listed above but also Brittany Murphy, Alexis Bledel, Rosario Dawson, Benicio Del Toro, Michael Clarke Duncan, Josh Hartnett, Elijah Wood, and even a guest appearance from Frank Miller himself.

However, one of the reasons I did not watch this movie when it first came out was that I thought it would be far too violent for me. Having read all the books later, I was even more wary of the potential blood bath, but reading the series also made me more interested to see the movie. Alas, I was right that the movie was pretty much a non-stop violence fest (albeit, the same could be said for the other movies in this post, but this one really upped the ante for gore), although I must say it did not deviate from the books in this respect. However, the black and white filming helped make the violence somewhat more palatable by being able to portray pools of blood in white rather than red – a little trick that helps the mind deal with it better. Still, seeing someone’s hand blown off or head severed is a bit much no matter how you put it, and I think it’s worse in movie form than in stylized illustrations.

Likewise, the movie did not deviate from the books when it came to portraying all the women of Sin City as scantily clad (read barely clothed) or nude, no matter how ridiculous it was for them to be so in the given situation. Again, this is somehow more acceptable in a graphic novel than when dealing with actual breathing, moving people.

To sum up as best as I can, this movie is a truthful adaptation of three books in the Sin City series, a unique work of cinematography, a bloody gory mess, and an interesting puzzle as to how so many big Hollywood names could flock to a fairly shallow movie (the promise of working with Quentin Tarantino?). There’s two more Sin City movies planned based on other books in the series, but I’m not so sure I would check them out…

Scott Pilgrim vs. the World

Basic plot: After meeting Ramona, the girl of his dreams, Scott Pilgrim (Michael Cera) learns that not only must he try to woo Ramona but he also has to fight – and defeat – her seven evil exes.

After watching a couple of heavy movies there in a row, we decided to lighten things up a little with Scott Pilgrim vs. the World. In this fantastical story, imagery is based not only on comic books but also video games. Similar to Sin City, this makes for a unique cinematographic effect. The movie is very funny, although it also gets more than a little absurd at times.

Tuesday, November 1, 2011

Behind the Curve: Covert Affairs

USA Network often comes up with some really good original programming (i.e., Monk, Psych) or at least shows that sound good in theory if not in actuality (i.e., Burn Notice, White Collar). When the channel began previewing a new show called Covert Affairs starring Piper Perabo, I was pretty certain this would be one I would like. But because I’m my typical self and I don’t get on top of things the way I should, the second season was nearly over before I finally started watching the first season. Now with the third season starting tonight, I’d thought it be a good idea to sum up my thoughts on the show so far.



The basic run-down of the show is that Annie Walker, a young CIA recruit, finds herself suddenly promoted to a full-time position in the Domestic Protection Division (DPD). She thinks that her ability to quickly learn languages and her skills in training led to this development, but the viewer knows that her past is part of the reason she’s advanced so quickly. Either way though, now that she’s in the CIA, Annie’s life has become non-stop adventure.

Now, without any further ado, here’s my pro/con list for the show, in no particular order.

Pros:

- Covert Affairs showcases good acting all around, but especially from Piper Perabo as Annie and Christopher Gorham as Auggie.
- Between the main cast and supporting characters, there’s both racial and gender diversity in the work group. And, Auggie’s blindness means that a disabled character has a huge role in a TV show. Annie’s division is led by a woman so it’s not always Annie alone in a sea of testosterone. Overall though it’s not too much about Annie being a girl in a boy’s world.
- Annie’s boss Joan is an interesting character because she’s definitely seen as making decisions as well as being tough and powerful, but there are also times when she seems rather like a mother hen, taking Annie or Auggie aside and asking them how they feel after such-and-such situation. This is sort of a good approach toward finding a happy medium as Joan can be seen as embodying more feminine characteristics (the nurturing streak that stereotypically belongs only to women) and is not the stereotype that a woman in power must be there because she’s a bitch with no feelings.
- I like some of the more minor characters, such as Annie’s brother-in-law, her nieces, and her Mossad liaison Eyal. With this last character, I would like to see more of him and have a feeling I will. (However, it feels a little like his character is a merely the male counterpart of Ziva from NCIS, which feels like a bit of a cheat in the writing department even though I like Ziva as a character, too!)
- Even with a few scenes thrown in of Annie in a bikini or Auggie without a shirt, the show is not overly sexualized.
- There’s intrigue and the show is action packed (the first episode alone features a shoot up, car crash, hand-to-hand fighting, and even jumping out of a plane with a parachute) so there’s the traditional appeal for men while still having a female lead.
- The theme song is oddly addictive, and the soundtrack overall is well done, featuring bands such as The Gaslight Anthem, Florence + the Machine, etc.
- I really enjoy the friendship between Annie and Auggie and, while less pronounced, I also like her relationship with her sister and her nieces.
- Obviously a show about spies will involve some violence but it is not overly excessive. (Annie doesn’t even have a gun.) Instead there’s a lot of Annie thinking on her feet to get herself out of sticky situations.
- The show often features scenic views of Washington, DC and other locales (i.e., Paris, London, Venice, etc.)
Cons:

- Why, oh why must Annie always be running around and getting into fights while wearing stiletto heels???? Really, can’t women’s business dress include something other than form-fitting dresses and high heels?
- The CGI in opening credits is a little off-putting. It was really terrible for the first season (note how fake her face looks in that last shot), but got a little better with second season.
- When it comes to dealing with outside agencies (i.e., Mossad, MI6, FBI), Annie really is the odd one out in an all boy’s club.
- I’m not a huge fan of Peter Gallagher in general and the whole Arthur and Joan as husband and wife subplot isn’t pulling me. I don’t care for the angst between them, especially in the first episode where Joan was so paranoid and convinced that he was cheating on her to go as far as using agency resources to “prove” it.
- There’s the occasional use of an obvious green screen background.
- And while I like the sort of wink-and-smile nod indicating a romance could blossom between Eyal and Annie, I feel like the show just can’t stop giving potential partners to Annie. We’ve seen the show try to create sexual tension for Annie with Ben, Dr. Scott Weiss, Jai, numerous assets, and even the occasional hint of something more sparking between Annie and Auggie. It’s just a little too much at times. Pick a guy (or two if you feel you need the jealousy angle) and work on that tension; don’t keep throwing more into the mix.
- Jumping off from that point, I’m not a fan of the Annie likes Jai/Jai likes Annie angle. Maybe in part because the viewer knows more than Annie in that Jai is up to something (put in the DPD by Arthur to watch Annie), but I frequently find myself wondering what Annie sees in him.
- Also related to the point of Annie and her love interests, in the first season, Annie is still pining over a relationship that happened two years ago and only lasted a few weeks. I understand it was mostly a plot device, but I really have a hard time buying that one.
- It bugs me on many different levels that Danielle hardly ever gets to leave her kitchen.
- It seemed in the second season that the show tried to sex things up a little too much with overblown hairdos and overdone makeup.
- The marketing in general is not so great – i.e., the clearly and overly airbrushed publicity images; ads referring to Annie as ‘the CIA’s sexiest spy.’ For real, USA? She couldn’t be the youngest, smartest, most skilled, or basically anything other trait than just a reference to the way she looks?
- And, as a viewer who often uses the Internet rather than cable, I find the 30-day waiting period to watch online more than a little ridiculous. Come on, USA, what happens when we miss a week of live TV and we don’t want to fall behind?

While there seems to be a lot of cons, I want to emphasize that the pros far outweigh the cons. Overall, I’m very pleased with the show and excited for another season.